By Simone de Beauvoir
Simone de Beauvoir’s account of the final ten years of Jean-Paul Sartre’s existence offers a spotlight for knowing one of many maximum thinkers of the 20th century. however the ebook, which include either a year-by-year account of Sartre’s final decade and a talk among him and de Beauvoir approximately his existence and paintings, is greater than only a philosophical exam. it's also a private discussion of amazing frankness that illuminates essentially the most recognized and complicated relationships of the 20 th century.
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Additional info for Adieux: A Farewell to Sartre
To clarify this point and to enable us properly to investigate and extend Jakobson’s theories of poetry I shall introduce the concept of the double pattern. A brief definition is required. In all forms of linguistic discourse some kind of pattern emerges. At its most basic it is the pattern of comprehensibility, a function of grammar, syntax, semantics, phonetics, and the interlocking of the syntagmatic and paradigmatic axes. We understand and create linguistic statements because we can distinguish between individual words and we know that some words should and some words should not follow one another in order to create intelligible meaning.
Literary linguists have given roughly equal attention to prose fiction and to poetry, but the latter has a prior claim to the methodologies and perspectives offered by modern linguistics because, as Jakobson argues, the structural properties of poetic language are also, to a large extent, its subject. The meeting-point for the formal and the referential axes of poetry is versification, and Jakobson’s investigations of this confluence form the core of his theory of poetry. The study of versification can claim to be the oldest and most enduring branch of Western literary criticism.
In the Dialogues with Krystyna Pomorska Jakobson is disarmingly honest about the specialised and somewhat partial nature of his poetic investigations. In the chapter on ‘Parallelism’ he concedes that in his work on Czech and Russian couplet poetry he had succeeded more in establishing the nature of the pertinent critical questions than in offering final and conclusive answers. The perception of similarities and contiguities within the couplet united by parallelism leads automatically to the need to find an answer to the unconscious questions: what links the two lines?