Get A World of Hurt (Starfist, Book 10) PDF

By David Sherman, Dan Cragg

With its down and soiled depiction of struggle written through males who be aware of what it’s prefer to be lower than fireplace, the Starfist saga is a runaway good fortune throughout the United States. Now, within the explosive new Starfist experience, full of fierce motion and threat, Marines at conflict in destiny area locate themselves pitted opposed to a faceless, insatiable foe bent on destroying them. And that’s only for starters.

How undesirable is the impending challenge dealing with the battle-hardened Marines of thirty fourth Fleet preliminary Strike crew (FIST), the military’s unofficial alien first-contact strength? undesirable adequate to make the brass take the extraordinary step of issuing thirty fourth FIST replacements for wrestle losses prior to the Marines even depart their domestic base.

In reaction to a chain of unexplained deaths on a lonely outpost at the frontiers of human house, thirty fourth FIST has been dispatched to investigate–and eradicate– the matter. past that, the data on hand to Gunnery Sergeant Charlie Bass and his males is meager even via Marine criteria. nobody is aware what awaits them, for the newly colonized international is still mostly unexplored. that implies thirty fourth FIST can anticipate creatures they've got by no means visible, or maybe heard of, less knowledgeable for. it may be Skink acid shooters, may be whatever, for the barren station has numerous secrets–all of them deadly.

But the very last thing those Marines look forward to finding is themselves in the course of an invasion and a mysterious war–with none except thirty fourth FIST as Enemy number 1. no matter what occurs, they’ll take care of it, simply because they’re Marines, decided to be prepared . . . and to offer worse than they get.

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Additional info for A World of Hurt (Starfist, Book 10)

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Books, the series still attracts many readers. In recent years, other series books have been released presumably to take advantage of the interest Children's Fantasy and Science Fiction 27 in sf and to duplicate, if possible, the success of Tom Swift. But none of these— John Blain's R i c k Brant or Donald Wollheim's Mike Mars or Carey Rockwell's Tom Corbett—ever matched the popularity of Tom Swift. In addition to the dime novels and series books from which Heinlein's work descended, other narratives, fantasy and otherwise, contributed to a climate that eventually made possible both juvenile and mainstream acceptance of sf.

Finally, Nesbit's innovation of permitting her characters to move into different time dimensions without having to fall asleep or dream made possible the great variety of time travel and time displacement narratives of recent years: to cite just some of the more outstanding examples, Philippa Pearce's Tom's Midnight Garden (1959), Julia Sauer's Fog Magic (1943), Eleanor Cameron's The Court of the Stone Children (1973), William Mayne's Earthfasts (1966), and Lucy Boston's several Green Knowe books.

Using the props from the Kubrick film as a springboard, Ellis went on to refine his own stockpile of pristine gadgets, from Niven's Ringworld to Clarke's Star Queen. The penultimate professional, Ellis' crispness and sense of scale and grandeur puts him somewhere very near the top of the long and formidable list of nuts and bolts artists. The most prominent gadget painter these days is John Berkey, who, after a brief but impressive stint in the paperback sf market, has gone on to blitz the movie ad field, doing advertising art for everything from Irwin Allen's Towering Star Bom A r t by Dean Ellis Copyright ©1972 by Ace Books Operation Umanaq A r t by Dean Ellis Copyright ©1973 by Ace Books Science Fiction Art: Some Contemporary Illustrators 41 2020 Vision, A r t by John Berkey, Copyright ©1979 by Avon Books Inferno to Dino De Laurentiis' King Kong.

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