By E. Douglas Bomberger
In July of 1884, pianist Calixa Lavallee played a recital of works via American composers that all started a hugely influential sequence of such live shows. Over the process the following decade, 1000's of all-American live shows have been played within the usa and Europe, a flow that fostered either the advance and the notion of yank song as a distinct artwork shape. A Tidal Wave of Encouragement-the name of that's derived from one observer's description of the movement-is the 1st in-depth research of this important interval in American track. offering a finished heritage of the concert events in addition to specific bills of the serious serious debate surrounding them, writer E. Douglas Bomberger unearths how one decade formed the way forward for American classical tune and extremely a lot impacted the best way we listen it this present day.
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Extra resources for A Tidal Wave of Encouragement: American Composers' Concerts in the Gilded Age
22 "A Tidal Wave of Encouragement" 34. Wilson G. Smith, "American Compositions in the Class and Concert Room," The Etude 6/8 (August 1888): 129. 35. "The Treasurer's Report," in Official Report of the Twelfth Annual Meeting of the Music Teachers' National Association, Chicago, Illinois (Music Teachers' National Association, 1888): 177. 3 Henry E. Krehbiel, Critic Many persons speak about music in an extravagantly sentimental manner; many more affect not to be able to speak about it at all. Which of these two affectations is the less objectionable I do not know; but this I do know, neither is amiable, and neither reflects credit on the civilization of which this century makes frequent boasts.
From one piano recital of American works on a morning session of the 1884 convention, the MTNA had expanded to three festival concerts of American works with orchestra, chorus, and soloists in 1888. With this expansion of the musical program had come a corresponding growth in the organization. The MTNA membership for 1883 had been 312; by 1888 it had risen to 1,649, the highest level that it would reach in the nineteenth century. 37, of which the largest single item was the cost of hiring the orchestra.
There are a number of composers here who understand the higher forms of composition and are capable of doing work which will compare favorably with foreign compositions, and there are many more who need only to feel that their work would find appreciation and sale to cause them to make use of their talents. It would be idle to argue that Americans have little or no talent for art creation. There is not a field which Americans have earnestly cultivated in which they have not distinguished themselves or surpassed all the older nations.