By David Paroissien
A spouse to Charles Dickens concentrates at the old, ideological, and social forces that outlined Dickens’s global.
- Puts Dickens’s paintings into its literary, historic, and social contexts
- Traces the advance of Dickens’s occupation as a journalist and novelist
- Includes unique essays through best Dickensian students on each one of Dickens’s fifteen novels
- Explores a large variety of subject matters, together with criticisms of his novels, using historical past and legislation in his fiction, language, and the impression of political and social reform
- Examines Dickens's legacy and surveys the mass of secondary fabrics that has been generated in reaction and reverence to his writing
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Additional info for A Companion to Charles Dickens
Where the most expressive element is the wordless break between the lines, accentuated by the gap between the colon and the dash. “George Silverman’s Explanation” may be read as “a version” of Dickens’s boyhood history of poverty, parental abandonment, withdrawal, even his emergence as a writer, but to say this much begs more questions than it answers. How could this macabre story express, or even illuminate, his experience? Surely, only elliptically and by implication, as chapter 1 does chapter 2 in the tale: most powerfully in apposition and through restricted utterance: the colon and the dash, rather than surrounding words.
John Dickens, before leaving the Marshalsea, drew up a petition for the prisoners to be found the wherewithal to fund a birthday drink for the king. Charles “got leave of absence, on purpose, and established myself in a corner” to observe the inmates at the ceremony of signing, and he reports with some satisfaction that “Whatever was comical in this scene, and whatever was pathetic, I sincerely believe I perceived in my corner . . ” Figures of motherliness people the fragment in reproach. Fathers are relatively indulged.
The surviving child responds without apparent emotion: “ ‘I don’t know what it is to be dead. I supposed it meant that, when the cup rattled against their teeth and the water spilt over them. ’ That was all I had to say about it” (ch. 4). Isolation and abuse lead to his withdrawal into a scholar’s life of unutterable humility. George Silverman even scrupulously diverts his loving pupil’s affection to one of her peers, but he suffers in consequence both emotionally and professionally. His only relief is in this writing: one where his exculpation from the unjust charge of impropriety remains merely implicit.